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Index of Road Company Reviews
(Please note: The majority of AISLE SAY's theatre
reviews were and are written in the wake of opening week performances.
So, unless specifically indicated, cast replacements, and the quality
with which a long running tour is being maintained, will not
necessarily be reflected. The Road Company Index will feature as many
reviews of a given production as are logged by the respective regional
critics who may cover it during its run.)
Aida (Philadelphia Review of Non-Equity
Big Leagues Tour)
Art (Toronto Review)
Avenue Q (San Francisco review)
Avenue Q (Philadelphia review)
Beauty and the Beast (Philadelphia
Review)
The Best Little Whorehouse in Texas
(Cincinnati Review)
The Best Little Whorehouse in Texas
(Minneapolis Review)
Big River: The Adventures of
Huckleberry Finn (Def West; Philadelphia Review)
Cabaret (San Francisco Review)
Cabaret (Cincinnati review)
Cabaret (Toronto Review)
Chicago (San Francisco review)
Chicago (2006 San Francisco Review
/ Return Engagement)
Chicago (Toronto Review)
Chicago (Chicago Review)
Chicago (Twin Cities Review)
Chicago (Philadelphia Review)
Cinderella (Cincinnati review)
The Civil War (Cincinnati Review)
The
Color Purple (San Francisco Review)
Contact (San Francisco Review)
Contact (Toronto Review)
Copenhagen (San Francisco Review)
Copenhagen (Boston Review)
Dinner With Friends (Boston Review)
Dirty Rotten
Scoundrels (San Francisco Review)
Doubt (Boston Review)
Doubt (San Francisco Review)
Doubt (Chicago Review)
Doubt
(Philadelphia Review)
Doubt
(Florida Review)
The Drowsy Chaperone (Toronto
Review)
Fame (Connecticut Review)
Fiddler on the Roof starring Theodore
Bikel (Twin Cities Review)
42nd Street (Seattle Review)
Fosse (Washington D.C. Review)
Fosse (Cincinnati Review)
Fosse (Toronto Review)
The Full Monty (Toronto Review)
The Full Monty (Washington D.C. Review)
Grease with Frankie Avalon
(Philadelphia Review)
Hairspray (Twin Cities Review)
Hairspray (Philadelphia Review)
Hairspray (San Francisco)
James Joyce's "The Dead" (San Francisco
Review)
Jekyll and Hyde (Washington D.C.
Review)
Jekyll and Hyde (Cincinnati Review)
Jersey Boys (San Francisco)
Les Misérables (Twin Cities
Review)
Little Shop of Horrors
(Philadelphia Review)
The Lion King (San Francisco Review)
The Lion King (Toronto Review)
Mamma Mia! (San Francisco Review)
Miss Saigon (Boston Review)
Movin' Out (Philadelphia Review)
Movin' Out (Twin Cities Review)
Othello (Guthrie Tour)
(Boston Review)
Peter Pan (Seattle Review)
Peter Pan (Philadelphia Review)
The Producers (San Francisco
Review)
Proof (Boston Review)
Proof (Seattle Review)
Rent (San Francisco Review)
Rent (Washington D.C. Review)
Rent (Twin Cities Review)
The Scarlet Pimpernel (Cincinnati
Review)
Sweeney Todd The John Doyle
Production (San Francisco Review)
The Tale of the Allergist's Wife
(San Francisco Review)
The Tale of the Allergists's Wife
(Twin Cities Review)
Titanic (Cincinnati Review)
3 Mo' Divas (Toronto Review)
Thoroughly Modern Millie (San
Francisco Review)
Twelve Angry Men (Chicago Review)
The 25th Annual Putnam County
Spelling Bee (San Francisco Review)
The 25th Annual Putnam County Spelling
Bee (Boston Review)
The 25th Annual Putnam County
Spelling Bee (Florida Review)
Urinetown (San Francisco Review)
Urinetown (Boston Review)
The Vagina Monologues (Northampton,
MA Review)
Whistle
Down the Wind (Philadelphia Review)
The Who's "Tommy" (2002 National Tour,
Philadelphia Review)
Wicked (San Francisco Review)
Wicked (Philadelphia Review)
Wit (Washington D.C. Review)
Wit (San Francisco Review)
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