AISLE SAY Florida

BY GERSHWIN

Developed by Richard Hopkins, Rebecca Hopkins, Jim Prosser
Directed by Richard Hopkins; Musical Direction by Ryan Touhey
Florida Studio TheatreÕs Goldstein Cabaret
1241 N. Palm Ave., Sarasota, 941-366-9000
March 1 through June 2, 2013

Reviewed by Marie J. Kilker

ÒBy GershwinÓ is a return to the kind of musical revues that made FSTÕs cabaret  so  popular.  The music and lyrics are by George and Ira Gershwin and range from the opening ÒI Got RhythmÓ to an operatic endingÑthe most popular songs from ÒPorgy and Bess.Ó Two couples (white Stephen Hope and Liz Power with African-Americans Robert H. Fowler and Jannie Jones) sing all together, solos with and without backing from the others, and in pairs. The backdrop is an arch of lights filled in with cleverly pleated curtain predominantly hot pink.  Pianist Jim Prosser smoothly accompanies on stage to one side with sound engineer Dave Corsello just to his side and not over-amping. Susan AngermannÕs costumes follow the best supper club tradition of simple but elegant formality. At first the guys are in black tux with red vests and pocket handkerchiefs; the second half of the program has them in gray silk jackets and vests.  The color schemes reverse  the galsÕ opening shiny silver shoes and gowns and bring them to black gowns in the second half of the show. (Red is featured on LynnÕs top straps and backs as well as jewels.) Hats figure as props in a few numbers, tastefully.
 
What little patter there is comes from Stephen Hope, mostly to introduce the songs in time or context  (such as from a musical). Hope, who has become a welcome perennial performer at FST, again proves deft as choreographer for the simple, relatively limited Cabaret stage space.  HeÕs helped by director Richard HopkinsÕ insistence that lyrics be well acted out. The comedy standouts are  Liz PowerÕs ÒJennyÓ and HopeÕs professorial tongue twisting on ÒTchaikowsky (and Other RussiansÓ) along with their collaboration on ÒLetÕs Call the Whole Thing Off.Ó  Jannie Jones with Bob Fowler do the sexiest bits: a politically incorrect ÒNaughty BabyÓ and very romantic ÒIÕve Got a Crush on You.Ó  ÒClap YoÕ HandsÓ by the group has the audience joining in. All in all, the singers and pianist have certainly Got Rhythm that in its context at FST ÒÕS WonderfulÓ indeed. 
 
Kelsey Peterson is Stage Manager for the 90 min. revue.


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